Watercolour

Made from pigment mined and mixed in Italy, Italian Venetian Red is redder than most and smolders with a warm intensity. An earthy red-brown leanin...

A warm, semi-transparent, leaning to an opaque pigment. Historically, this black was derived from burnt ivory from now-endangered species, thankful...

Opaque and cool. This is the most intense black available. It is a sooty by-product of burned mineral oil and tar. Lamp Black mixed with Burnt Sien...

Lemon Yellow, a brilliant primary yellow, is the perfect pigment for mixing a range of hues when a clean yellow is necessary. This saturated, brigh...

A transparent, non-staining pigment that resembles Burnt Sienna in colour but separates dramatically. Lightfast and extremely versatile, Lunar Eart...

Add texture to your watercolour paintings with this rich burgundy watercolour. Lunar Red Rock is a lovely violet-red that granulates and travels in...

This cool turquoise blue is ideal for creating form or indicating space. It is a medium-staining, transparent pigment with wonderful granulating pr...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Bring a natural glow to your palette with this stunning sienna earth tone. Subtle granulation and a delicate transparency make this watercolour esp...

A warm cinnamon color that granulates to resemble rusted iron, DANIEL SMITH Mummy Bauxite combines powerful colour with visual texture. Mummy was a...

This azo pigment falls between Permanent Violet and Manganese Violet on the colour chart. It’s a lightfast, slightly granular deep brown-violet wit...

Naples Yellow will make you think of late Summer with it’s sunflowers, wheat fields and sunny, dry landscapes. This dusty yellow with a touch of Ve...

When mixed with any other colour, Neutral Tint produces glowing darker values of that colour. This neutral grey – neither warm nor cool – quickly a...

Unlike other brands, Daniel Smith New Gamboge is an excellent lightfast formulation. It's a transparent organic pigment from the yellow to orange z...

This semi-transparent to semi-opaque yellow, leaning slightly towards green, appears opaque in mass, yet lifts cleanly. It is low staining, making ...

A rich, warm brown-green that is semi transparent to semi-opaque, and low-staining. Olive Green lends a slight granulation and makes very convincin...

The most vivid of all pinks, has long been requested by DANIEL SMITH customers. A primary magenta with a hint of fluorescent pink granulation produ...

DANIEL SMITH Payne's Blue Gray is similar to our bluer Indigo, but like the original DANIEL SMITH Payne's Gray, it is semi-transparent rather than ...

Pearlescent colours give white paper a pearl-like luster. Use Pearlescent Shimmer as a glaze for a snow-like glimmer or mix with other colours to a...

Pearlescent colours give white paper a pearl-like luster. Use Pearlescent White as a slightly opaque glimmering glaze or combine with other colours...

A deep, rich red, this lightfast pigment diffuses well with water, a treat when painting wet into wet or damp passages. The fuzzy edges this techni...

Permanent Green, an organic, transparent pigment with high-staining properties yields very clean, vibrant mixtures. The Phthalo Green Blue Shade an...

This organic pigment, with high-staining properties, yields a very clean, vibrant mixture. The Phthalo Green Blue Shade and Hansa Yellow Light used...

A stop sign red, this red diffuses well with water – a treat when painting wet into wet or damp passages. The fussy edges this technique produces b...

A powerful blue with a slightly red undertone, this popular pigment is valued for its strength and economy – just a daub of paint can color a whole...

This DANIEL SMITH exclusive is a favourite of artists. It moves from a deep dark turquoise to a thin film of robin’s egg blue in a single wash, mak...

A bright, beautiful lime green with power and tinting strength characteristic of all phthalo pigments. Made from Phthalocyanine Green (yellow shade...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

A dark, slightly turquoise blue-green, this innovative colour is deep and concentrated, making it an ideal choice when maximum colour strength is r...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

This familiar rich dark brown earth pigment is semi-transparent with medium tinting strength. An extremely permanent inorganic colour, it mixes wel...

This DANIEL SMITH exclusive is a blend of Raw Umber with Quinacridone Violet, creating a semi-transparent, medium to high tinting pigment with a be...

A fully transparent, non-staining, rich, vivid brown. Elemental and versatile, its granulating properties when blended with Permanent Green changes...

A highly transparent burnt orange loves to mingle with the lamp black, settling in beneath it, mixing with it to create tones of cinnamon and tobac...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

To create this colour, Ultramarine Blue pigment is baked. An excellent lightfast pigment that flows freely, leaving slight granulation in washes. U...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Ultramarine Blue pigment is baked to create Ultramarine Violet. It is an excellent lightfast pigment that flows freely, leaving slight granulation ...

An artist’s favourite, this exciting medium to high staining green blends French Ultramarine with Quinacridone Gold. The inorganic, sedimentary Fre...

A deep, dark, lightfast mix of siennas and umbers, Van Dyck Brown has a special reticulating property ideal for texturing a wash. Moderate staining...

An earthy red-brown with opaque, sedimentary properties, Venetian Red is great for fall paintings and applications similar to Indian Red. Drop Vene...

DANIEL SMITH Yellow Ochre works especially well with other transparent pigments. Try mixing transparent, medium-tinting Yellow Ochre with equally t...

Kissed with a touch of orange, this is a pure chroma color with high-tinting organic pigments. It’s a rich, golden squash color with touch of orang...

Inspired by the deep, lush reds found on the subcontinent of India, opaque Indian Red is a rich chestnut reddish brown. Artists choose Indian Red f...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...