Art Supplies

In mass tone, this is a rich, deep red-violet (cooler than Quinacridone Pink) and when mixed with white, it’s a vivid violet pink. Quinacridone Mag...

This is a beautiful periwinkle blue, quite different from our other blues. This lavender blue lifts easily. In addition to being an excellent flora...

These are very good quality synthetic brushes and almost comparable to real squirrel. Great at holding water and very soft.

This is the same Alpha paper as in the Stillman & Birn Alpha hard cover sketchbooks. Stillman and Birn listened to urban sketchers and made thi...

This is the same Alpha paper as in the Stillman & Birn Alpha hard cover sketchbooks. Stillman and Birn listened to urban sketchers and made thi...

This is the same BETA paper as in the Stillman & Birn BETA hard cover sketchbooks. Stillman and Birn listened to urban sketchers and made this ...

Alvaro’s Caliente Grey, “is a terrific hue, very powerful, excellent to create strong and warm paintings. In monochrome this wonderful Grey is perf...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

This is the same Epsilon paper as in the Stillman & Birn Epsilon hard cover sketchbooks. Stillman and Birn listened to urban sketchers and made...

Duochrome Aquamarine shifts between a soft blue-green and a shimmering iridescent blue. Duochrome Watercolours, part of the DANIEL SMITH Luminesce...

Duochrome Cabo Blue adds a third reflective color shifting from blue to metallic gold, then finishing with a shimmering metallic blue. Duochrome W...

Duochrome Cactus Flower shifts between an earthy sienna and a sparkling metallic violet. Duochrome Watercolors, part of the DANIEL SMITH Luminesce...

Duochrome Emerald is the slightly reflective green of tender new shoots or buds in the Spring. Many living things have a slightly luminous quality ...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Cleaner, more transparent and brighter in chroma than Cadmium Yellow Light, this is a high-tinting, organic pigment. Hansa Yellow is considered the...

Iridescent Antique Silver is a pewter shade that is deeper in tone than other metallic silver watercolours. Iridescent watercolours, part of the D...

Iridescent Topaz is a pale yellow-gold with just the slightest hint of a green undertone. Iridescent watercolours, part of the DANIEL SMITH Lumine...

Imagine a transparent black with an expansive value range and pigment particles that react like magnetic shavings attracting and repelling each oth...

For cool, clean staining shadows and reflected light on windows. Super staining, super transparent Phthalo Blue is a popular pure chroma organic pi...

DANIEL SMITH Raw Sienna Light has more golden yellow tones than our Raw Sienna. This Sienna is a granulating colour too, but a bit smoother in wash...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Create pastel shades with a creamy, semi-opaque/semi-transparent finish by mixing Titanium White with your favourite watercolour pigments. Although...

Ultramarine Blue plots cooler and bluer than the more saturated French Ultramarine. Temperature aside, both blues have equal permanence, lightfastn...

The PRINCETON Art & BRUSH Co make some of the best synthetic fibre watercolour brushes available. This series is their synthetic Kolinsky sable...

Unique to DANIEL SMITH, Buff Titanium resembles the ecru shades of sand and antique lace. This single pigment colour does not have the yellow tones...

This green takes its cue from the conifer forests, rushing streams and alpine meadows of Washington state. As you brush it on, enjoy the rich, natu...

This organic pigment with high-staining properties yields a very clean, vibrant mixture. The Phthalo Green Blue Shade and Hansa Yellow Light used i...

Yellow Ochre is one of the earliest known earth pigments and was used by ancient man to paint on cave walls. Yellow Ochre has excellent lightfastne...

This rich earth pigment is a traditional palette staple for many landscape painters. It’s made by heating Raw Sienna, which is one of the original ...