Art Supplies

These are very good quality synthetic brushes and almost comparable to real squirrel. Great at holding water and very soft. Flat shape for blocking...

DANIEL SMITH Yellow Ochre works especially well with other transparent pigments. Try mixing transparent, medium-tinting Yellow Ochre with equally t...

Pigment mined near this ancient northern Italian city gives Verona Gold Ochre its name, it has an unusual, delicate clarity for an earth colour.

An earthy red-brown with opaque, sedimentary properties, Venetian Red is great for fall paintings and applications similar to Indian Red. Drop Vene...

A deep, dark, lightfast mix of siennas and umbers, Van Dyck Brown has a special reticulating property ideal for texturing a wash. Moderate staining...

An artist’s favourite, this exciting medium to high staining green blends French Ultramarine with Quinacridone Gold. The inorganic, sedimentary Fre...

Ultramarine Blue pigment is baked to create Ultramarine Violet. It is an excellent lightfast pigment that flows freely, leaving slight granulation ...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

To create this colour, Ultramarine Blue pigment is baked. An excellent lightfast pigment that flows freely, leaving slight granulation in washes. U...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

A highly transparent burnt orange loves to mingle with the lamp black, settling in beneath it, mixing with it to create tones of cinnamon and tobac...

A fully transparent, non-staining, rich, vivid brown. Elemental and versatile, its granulating properties when blended with Permanent Green changes...

This DANIEL SMITH exclusive is a blend of Raw Umber with Quinacridone Violet, creating a semi-transparent, medium to high tinting pigment with a be...

This familiar rich dark brown earth pigment is semi-transparent with medium tinting strength. An extremely permanent inorganic colour, it mixes wel...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

A dark, slightly turquoise blue-green, this innovative colour is deep and concentrated, making it an ideal choice when maximum colour strength is r...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

A bright, beautiful lime green with power and tinting strength characteristic of all phthalo pigments. Made from Phthalocyanine Green (yellow shade...

This DANIEL SMITH exclusive is a favourite of artists. It moves from a deep dark turquoise to a thin film of robin’s egg blue in a single wash, mak...

Phthalo Green (Blue Shade) is a black-green. Concentrated to diluted states, it is a transparent and super staining green. Organic and absolutely l...

A powerful blue with a slightly red undertone, this popular pigment is valued for its strength and economy – just a daub of paint can color a whole...

A stop sign red, this red diffuses well with water – a treat when painting wet into wet or damp passages. The fussy edges this technique produces b...

This organic pigment, with high-staining properties, yields a very clean, vibrant mixture. The Phthalo Green Blue Shade and Hansa Yellow Light used...

Permanent Green, an organic, transparent pigment with high-staining properties yields very clean, vibrant mixtures. The Phthalo Green Blue Shade an...

A deep, rich red, this lightfast pigment diffuses well with water, a treat when painting wet into wet or damp passages. The fuzzy edges this techni...

Pearlescent colours give white paper a pearl-like luster. Use Pearlescent White as a slightly opaque glimmering glaze or combine with other colours...

Pearlescent colours give white paper a pearl-like luster. Use Pearlescent Shimmer as a glaze for a snow-like glimmer or mix with other colours to a...

DANIEL SMITH Payne's Blue Gray is similar to our bluer Indigo, but like the original DANIEL SMITH Payne's Gray, it is semi-transparent rather than ...

The most vivid of all pinks, has long been requested by DANIEL SMITH customers. A primary magenta with a hint of fluorescent pink granulation produ...

A rich, warm brown-green that is semi transparent to semi-opaque, and low-staining. Olive Green lends a slight granulation and makes very convincin...

This semi-transparent to semi-opaque yellow, leaning slightly towards green, appears opaque in mass, yet lifts cleanly. It is low staining, making ...

Unlike other brands, Daniel Smith New Gamboge is an excellent lightfast formulation. It's a transparent organic pigment from the yellow to orange z...

When mixed with any other colour, Neutral Tint produces glowing darker values of that colour. This neutral grey – neither warm nor cool – quickly a...