Products

This cool turquoise blue is ideal for creating form or indicating space. It is a medium-staining, transparent pigment with wonderful granulating pr...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Mayan Dark Blue is darker and warmer than Mayan Blue Genuine. Mix it with Mayan Orange to make a fantastic array of subtle greys and violets for co...

Mayan Orange is hot and intense. Use it straight from the tube for a blazing red-orange. As you add water, the colour remains strong and disperses ...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

joy a saturated fuchsia with a rich tone and velvet finish. This stunning watercolour revives the bold colour used by the ancient Mayan people to a...

A saturated yellow with a rich history, you’ll love its transparency and smooth working properties. A natural looking yellow with a very slight gre...

A warm, soft, earthy pink, Minnesota Pipestone is semi-transparent to semi-opaque, and granulates beautifully in washes. It is as permanent as the ...

A warm cinnamon color that granulates to resemble rusted iron, DANIEL SMITH Mummy Bauxite combines powerful colour with visual texture. Mummy was a...

This azo pigment falls between Permanent Violet and Manganese Violet on the colour chart. It’s a lightfast, slightly granular deep brown-violet wit...

Naples Yellow will make you think of late Summer with it’s sunflowers, wheat fields and sunny, dry landscapes. This dusty yellow with a touch of Ve...

When mixed with any other colour, Neutral Tint produces glowing darker values of that colour. This neutral grey – neither warm nor cool – quickly a...

Nickel Azo Yellow in mass tone resembles Yellow Ochre, and when thinned in washes, becomes a brillant, glowing yellow. This transparent yellow is p...

DANIEL SMITH Payne's Blue Gray is similar to our bluer Indigo, but like the original DANIEL SMITH Payne's Gray, it is semi-transparent rather than ...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Pearlescent colours give white paper a pearl-like luster. Use Pearlescent Shimmer as a glaze for a snow-like glimmer or mix with other colours to a...

Pearlescent colours give white paper a pearl-like luster. Use Pearlescent White as a slightly opaque glimmering glaze or combine with other colours...

Perinone Orange, with its vast range from vivid intensity to pale, transparent, fleshy washes, is a clear, clean vat pigment. From carrots to soft ...

Permanent Alizarin Crimson, developed with our customers, blends pigments to produce an exceptionally lightfast red with true Alizarin Crimson char...

Imagine a rich and warm dark that can be textured with salt, squeegeed to reveal a warm residue stain and still have enough body to render glowing ...

A deep, rich red, this lightfast pigment diffuses well with water, a treat when painting wet into wet or damp passages. The fuzzy edges this techni...

Permanent Green, an organic, transparent pigment with high-staining properties yields very clean, vibrant mixtures. The Phthalo Green Blue Shade an...

This organic pigment, with high-staining properties, yields a very clean, vibrant mixture. The Phthalo Green Blue Shade and Hansa Yellow Light used...

Saturated and leaning toward yellow, Permanent Orange resembles Cadmium Orange and is lightfast, transparent and low staining. Permanent Orange wit...

A stop sign red, this red diffuses well with water – a treat when painting wet into wet or damp passages. The fussy edges this technique produces b...

The soft handling ability or even dispersion of this lightfast, semi-transparent pigment helps make this a fine pre-mixed violet. The rich, medium ...

Mixing beautifully with other colours, Permanent Yellow Deep yields a bright tangerine hue when used at full-strength and light washes are a soft p...

If you want to add atmospheric or emotional punch to your work, then squeeze some transparent Perylene Green onto your palette. It exhibits an almo...

Perylene Maroon is a super staining dark red-brown. Perylene Maroon allows glowing washes that can emanate from a saturated source emerging into su...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Perylene Scarlet is medium staining and semi-transparent. It creates vivid, dark washes with a clean, vivid orange hue. This sedimentary pigment of...

A deep, luscious, grape-juicy reddish-violet. The mass tone is dark and intense, shifting in tints toward a rich red violet with a brownish-purple ...

A powerful blue with a slightly red undertone, this popular pigment is valued for its strength and economy – just a daub of paint can color a whole...

Perfect for tropical seas and the deeper turquoise water off white sand beaches. The highly transparent, warm blue is positioned chromatically on t...

Phthalo Green (Blue Shade) is a black-green. Concentrated to diluted states, it is a transparent and super staining green. Organic and absolutely l...

Phthalo Green Yellow Shade is a bottle green. In concentrated to diluted states, it is transparent and super-staining. Organic and absolutely light...

This DANIEL SMITH exclusive is a favourite of artists. It moves from a deep dark turquoise to a thin film of robin’s egg blue in a single wash, mak...

A bright, beautiful lime green with power and tinting strength characteristic of all phthalo pigments. Made from Phthalocyanine Green (yellow shade...

Ground from a scarlet-streaked mineral from the hills of Italy, Piemontite Genuine is a rich, versatile PrimaTek watercolor. A deep ruddy violet is...