Products

Jane’s Grey is a unique color in the market. Most grays, whether Payne’s Grey, Neutral Tint or others, are made with a black pigment, and often pht...

“…I designed this grey to use for those frosty morning and rainy winter day paintings. It has a lovely greenish sediment which is perfect for low l...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

“Joseph Z’s Warm Grey, developed by Joseph Zbukvic, which he describes as; “…perfect for strong summer light when shadows have that rich warm glow....

Alvaro’s Caliente Grey, “is a terrific hue, very powerful, excellent to create strong and warm paintings. In monochrome this wonderful Grey is perf...

Natural Kingman Green Turquoise Genuine captures the magic and mystery of the ancient Southwest in a subtle greenish turquoise. It is mined near Ki...

This exclusive DANIEL SMITH color is a stunner – a rich blue-grey with impressive granulation and dazzling, glittery sparkle. Its name comes from t...

Opaque and cool. This is the most intense black available. It is a sooty by-product of burned mineral oil and tar. Lamp Black mixed with Burnt Sien...

Lapis Lazuli has been prized for its beauty, its mystical properties, and its perfection as a pigment. Ancient civilizations believed that the vein...

DANIEL SMITH Lavender is a beautiful periwinkle blue, and quite different from our other blues. This semi-transparent lavender blue has beautiful g...

Lemon Yellow, a brilliant primary yellow, is the perfect pigment for mixing a range of hues when a clean yellow is necessary. This saturated, brigh...

Imagine a transparent black with an expansive value range and pigment particles that react like magnetic shavings attracting and repelling each oth...

The fabric of the night sky glides off the brush in this heavenly shade. Granulating lunar black floats above a phthalo undertone, perfect for capt...

A transparent, non-staining pigment that resembles Burnt Sienna in colour but separates dramatically. Lightfast and extremely versatile, Lunar Eart...

Add texture to your watercolour paintings with this rich burgundy watercolour. Lunar Red Rock is a lovely violet-red that granulates and travels in...

Watch how this fascinating watercolor with its broad range of texture, color and value falls into unique forms across your paper. This paint create...

This cool turquoise blue is ideal for creating form or indicating space. It is a medium-staining, transparent pigment with wonderful granulating pr...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Mayan Blue Genuine is one of our PrimaTek colours, this gorgeous green-tinged indigo nearly defies description. Long ago, it adorned the murals and...

Mayan Dark Blue is darker and warmer than Mayan Blue Genuine. Mix it with Mayan Orange to make a fantastic array of subtle greys and violets for co...

Mayan Orange is hot and intense. Use it straight from the tube for a blazing red-orange. As you add water, the colour remains strong and disperses ...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

joy a saturated fuchsia with a rich tone and velvet finish. This stunning watercolour revives the bold colour used by the ancient Mayan people to a...

A saturated yellow with a rich history, you’ll love its transparency and smooth working properties. A natural looking yellow with a very slight gre...

A warm, soft, earthy pink, Minnesota Pipestone is semi-transparent to semi-opaque, and granulates beautifully in washes. It is as permanent as the ...

Bring a natural glow to your palette with this stunning sienna earth tone. Subtle granulation and a delicate transparency make this watercolour esp...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

A warm cinnamon color that granulates to resemble rusted iron, DANIEL SMITH Mummy Bauxite combines powerful colour with visual texture. Mummy was a...

This azo pigment falls between Permanent Violet and Manganese Violet on the colour chart. It’s a lightfast, slightly granular deep brown-violet wit...

Naples Yellow will make you think of late Summer with it’s sunflowers, wheat fields and sunny, dry landscapes. This dusty yellow with a touch of Ve...

When mixed with any other colour, Neutral Tint produces glowing darker values of that colour. This neutral grey – neither warm nor cool – quickly a...

Unlike other brands, Daniel Smith New Gamboge is an excellent lightfast formulation. It's a transparent organic pigment from the yellow to orange z...

Nickel Azo Yellow in mass tone resembles Yellow Ochre, and when thinned in washes, becomes a brillant, glowing yellow. This transparent yellow is p...

This semi-transparent to semi-opaque yellow, leaning slightly towards green, appears opaque in mass, yet lifts cleanly. It is low staining, making ...

A rich, warm brown-green that is semi transparent to semi-opaque, and low-staining. Olive Green lends a slight granulation and makes very convincin...

The most vivid of all pinks, has long been requested by DANIEL SMITH customers. A primary magenta with a hint of fluorescent pink granulation produ...

This low-staining deep orange is sometimes called Scarlet Lake or Rose Carthame. Oranges can be very difficult to work with, but this one excels in...

DANIEL SMITH Payne's Blue Gray is similar to our bluer Indigo, but like the original DANIEL SMITH Payne's Gray, it is semi-transparent rather than ...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Pearlescent colours give white paper a pearl-like luster. Use Pearlescent Shimmer as a glaze for a snow-like glimmer or mix with other colours to a...

Pearlescent colours give white paper a pearl-like luster. Use Pearlescent White as a slightly opaque glimmering glaze or combine with other colours...

Perinone Orange, with its vast range from vivid intensity to pale, transparent, fleshy washes, is a clear, clean vat pigment. From carrots to soft ...

Permanent Alizarin Crimson, developed with our customers, blends pigments to produce an exceptionally lightfast red with true Alizarin Crimson char...

Imagine a rich and warm dark that can be textured with salt, squeegeed to reveal a warm residue stain and still have enough body to render glowing ...

A deep, rich red, this lightfast pigment diffuses well with water, a treat when painting wet into wet or damp passages. The fuzzy edges this techni...

Permanent Green, an organic, transparent pigment with high-staining properties yields very clean, vibrant mixtures. The Phthalo Green Blue Shade an...

This organic pigment, with high-staining properties, yields a very clean, vibrant mixture. The Phthalo Green Blue Shade and Hansa Yellow Light used...

Saturated and leaning toward yellow, Permanent Orange resembles Cadmium Orange and is lightfast, transparent and low staining. Permanent Orange wit...