Products

Warm violet-red, this slightly granular, super-staining vat pigment is one of DANIEL SMITH’s greatest creations. Anthraquinoid Red is bold and da...

A deep, transparent orange. In a wash, it’s a light peach tint and transparent at full strength, it moves to a deep, red-orange lipstick color with...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

DANIEL SMITH Aussie Red Gold is the rich, golden colour of ochre cliffs set aflame at sunset. This brilliant, reddish gold will add glowing light t...

DANIEL SMITH Azo Yellow Watercolour almost jumps off the paper, it’s so brilliant, sunny and bright. The very essence of yellow, it’s clear, powerf...

This opaque yellow, leaning slight towards green, appears opaque in mass tone, yet lifts cleanly. It is low staining, making it excellent in portra...

Can be as dark as night or as pale as a wispy fog. This intriguing PrimaTek color is made from a semi-precious stone thought to bring luck, dispel ...

Bloodstone is legendary for its mystical, magical and medicinal properties. Sacred to Christians, who believe the dark red drops in this green jasp...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

A durable, staining azo pigment, Bordeaux is a velvety wine colour. Its slightly granular, semi-transparent properties work well with blotting, mis...

A warm honey-bronze colour with lustrous sparkle provided by very fine films of iron oxide. The fibrous, fairly fragile Bronzite stone from Brazil ...

Spatter or drop a brushload of Buff Titanium into a moist wash and enjoy the pigment displacement. Unique to Daniel Smith, Buff Titanium resembles ...

Prehistoric man used this strong, rich, reddish-brown earth pigment to capture the earliest known images of deer, bison and human forms on cave wal...

A warm, glowing earth colour, surprisingly smooth in washes. In a light wash, the yellow is very clean, as sunny and subtle as morning light in a F...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

This transparent to semi-transparent earth pigment, a grayed orange, combines with other hues without a loss of intensity or transparency. Subseque...

A beautiful earthy colour, DANIEL SMITH Burnt Sienna Light is redder than DANIEL SMITH Burnt Sienna, more transparent and slightly less granulating...

This beautiful stone has been calcinated to change the iron oxide from cool to warm in hue. The result is striking and the granulating effect enhan...

This rich dark brown earth pigment is popular with artists due to its semi- or semi-opaque qualities. It is lightfast, low-staining, and can readil...

Burnt Yellow Ochre is a beautiful, versatile earth colour with the ruddy warmth of redwood, ancient pottery or a sunset-lit peublo. Falling between...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Cadmium Red Medium Hue – A true stop sign red, an essential colour for any palette. A safe, vibrant Cadmium Hue virtually identical in colour to t...

Cadmium Red Scarlet Hue – A festive, versatile red with an orange cast. A formula all the with all the density and richness of classic cadmium col...

Cadmium Yellow Deep Hue – A rich, warm yellow with a golden glow. Hues virtually identical in colour to their namesakes, but cleaner in mixtures an...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

This slightly granular blue-violet is an intense, vibrant colour with medium staining properties. A brushstroke of concentrated Carbazole Violet on...

Darker and more staining than Alizarin Crimson, and vastly superior in permanence, Carmine is also redder. This staining pigment, rich and intense,...

The craggy peaks of the Cascade Mountains that divide lush, western Washington from the dry, high plains of the east, inspired this unique green. F...

A superb mixing colour. Think of Cerulean Blue as a cleaner, brighter and slightly warmer alternative to the Cerulean Blue Chromium we’ve always so...

Forbidden by purists, Chinese White is much more than a repair patch. This semi-transparent, pure white offers excellent permanency and a medium-hi...

A deep, dark, lightfast mix of siennas and umbers, Van Dyck Brown has a special reticulating property ideal for texturing a wash. Moderate staining...

This natural green provides landscape artists rest in a summer painting saturated with vibrant greens. Opaque and low-staining, Chromium Green Oxid...

A brilliant purple with remarkable blue undertones and a granulating texture. Try mixing this bold colour with Prussian Green for surprisingly soft...

Cobalt Green Pale, a green-blue, is similar in application as Cobalt Green. All inorganic, they are considered transparent and non-staining (or low...

Cobalt Violet embodies the softness of flower petals with its slightly granulating texture and lustrous finish. With a truly transparent quality, t...

Cobalt Violet Deep is a charming purple that brings texture to your painting with its granulating properties. Mix a wet wash and you will see beaut...

At long last there exists a deep reddish-brown that reacts wonderfully to salt. These pigment qualities produce natural texture and invite applied ...

Diopside Genuine is a rich gemstone green you’ll reach for time and again. Also known as the Russian Emerald, the mineral is usually seen in fine j...

Duochrome Adobe shifts between saturated copper and a brilliant red metallic.

Duochrome Aquamarine shifts between a soft blue-green and a shimmering iridescent blue. Duochrome Watercolours, part of the DANIEL SMITH Luminesce...

Duochrome Arctic Fire shows its colors best over black paper or darker watercolor; it shifts from reflective green to violet. Duochrome Watercolou...