Watercolour Paint

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

A smooth grey-mauve in light washes, Shadow Violet displays a fascinating granulation when used more thickly. Deep warm violet in mass tone, it rev...

Hansa Yellow Medium is a high-tinting, semi-transparent organic pigment. Considered the 'perfect yellow', Hansa Yellow Medium offers more control w...

DANIEL SMITH Aussie Red Gold is the rich, golden colour of ochre cliffs set aflame at sunset. This brilliant, reddish gold will add glowing light t...

Unlock a wealth of colour with this princely pigment. Rich in texture, this highly saturated purple will granulate to reveal shades of plum and ult...

This medium-to-dark warm reddish-blue is highly lightfast and of medium tinting strength. Its sedimentary quality increases its versatility. Mixed ...

Perfect for tropical seas and the deeper turquoise water off white sand beaches. The highly transparent, warm blue is positioned chromatically on t...

Deserves a place on every palette. A gorgeous forest green that is almost black in mass tone, it has great transparency, makes smooth, clean washes...

Tiger’s Eye Genuine is made from the brownish-gold stone with rippling bands of light that remind you of cat’s eyes. The gemstone, a member of the ...

This azo pigment falls between Permanent Violet and Manganese Violet on the colour chart. It’s a lightfast, slightly granular deep brown-violet wit...

This DANIEL SMITH exclusive is a favourite of artists. It moves from a deep dark turquoise to a thin film of robin’s egg blue in a single wash, mak...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Phthalo Green (Blue Shade) is a black-green. Concentrated to diluted states, it is a transparent and super staining green. Organic and absolutely l...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Extremely lightfast and non-staining, French Ochre is a delightfully warm color that embodies the feeling of autumn. Paint fields of wheat or add a...

Single pigment Gray Titanium is a mid-tone warm gray with slightly yellow undertones, and is semi-transparent, granulating, non-staining and has ex...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Spatter or drop a brushload of Buff Titanium into a moist wash and enjoy the pigment displacement. Unique to Daniel Smith, Buff Titanium resembles ...

This rich dark brown earth pigment is popular with artists due to its semi- or semi-opaque qualities. It is lightfast, low-staining, and can readil...

The craggy peaks of the Cascade Mountains that divide lush, western Washington from the dry, high plains of the east, inspired this unique green. F...

At long last there exists a deep reddish-brown that reacts wonderfully to salt. These pigment qualities produce natural texture and invite applied ...

Duochrome Aquamarine shifts between a soft blue-green and a shimmering iridescent blue. Duochrome Watercolours, part of the DANIEL SMITH Luminesce...

Duochrome Autumn Mystery is an earthy russet that shifts to a vibrant copper metallic.

Duochrome Cabo Blue adds a third reflective color shifting from blue to metallic gold, then finishing with a shimmering metallic blue. Duochrome W...

A warm, semi-transparent, leaning to an opaque pigment. Historically, this black was derived from burnt ivory from now-endangered species, thankful...

Lemon Yellow, a brilliant primary yellow, is the perfect pigment for mixing a range of hues when a clean yellow is necessary. This saturated, brigh...

A transparent, non-staining pigment that resembles Burnt Sienna in colour but separates dramatically. Lightfast and extremely versatile, Lunar Eart...

When mixed with any other colour, Neutral Tint produces glowing darker values of that colour. This neutral grey – neither warm nor cool – quickly a...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

A deep, rich red, this lightfast pigment diffuses well with water, a treat when painting wet into wet or damp passages. The fuzzy edges this techni...

Yellow Ochre is one of the earliest known earth pigments and was used by ancient man to paint on cave walls. Yellow Ochre has excellent lightfastne...

Unique to DANIEL SMITH, Buff Titanium resembles the ecru shades of sand and antique lace. This single pigment colour does not have the yellow tones...

This green takes its cue from the conifer forests, rushing streams and alpine meadows of Washington state. As you brush it on, enjoy the rich, natu...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

A traditional painter’s color, Burnt Umber is made by heating Raw Umber, which transforms it from a dark greenish brown to a dark brown with a hint...

Opaque and cool, Lamp Black is an intense, velvety black. It’s a sooty by-product of burned mineral oil and tar. Lamp Black mixed with Burnt Sienna...