Watercolour Paint

Hansa Yellow Medium is a high-tinting organic pigment that retains some of the lemon brightness of Hansa Yellow Light, with added warmth and depth ...

In mass tone, this is a rich, deep red-violet (cooler than Quinacridone Pink) and when mixed with white, it’s a vivid violet pink. Quinacridone Mag...

This is a beautiful periwinkle blue, quite different from our other blues. This lavender blue lifts easily. In addition to being an excellent flora...

A cool midnight in mass tone and a cooling mist in washes, it mixes well with other colours, toning them down and adding a touch of coolness. Alvar...

DANIEL SMITH has acquired a unique supply of the precious mineral Amazonite from Brazil. It’s a strong pure color that is completely transparent, n...

DANIEL SMITH Aussie Red Gold is the rich, golden colour of ochre cliffs set aflame at sunset. This brilliant, reddish gold will add glowing light t...

This opaque yellow, leaning slight towards green, appears opaque in mass tone, yet lifts cleanly. It is low staining, making it excellent in portra...

Bloodstone is legendary for its mystical, magical and medicinal properties. Sacred to Christians, who believe the dark red drops in this green jasp...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

This slightly granular blue-violet is an intense, vibrant colour with medium staining properties. A brushstroke of concentrated Carbazole Violet on...

Darker and more staining than Alizarin Crimson, and vastly superior in permanence, Carmine is also redder. This staining pigment, rich and intense,...

This medium-to-dark warm reddish-blue is highly lightfast and of medium tinting strength. Its sedimentary quality increases its versatility. Mixed ...

Hansa Yellow Medium is a high-tinting, semi-transparent organic pigment. Considered the 'perfect yellow', Hansa Yellow Medium offers more control w...

Unlock a wealth of colour with this princely pigment. Rich in texture, this highly saturated purple will granulate to reveal shades of plum and ult...

This sienna is a natural orange-brown earth pigment imported from Italy. Use this with the same method and purpose as plain Burnt Sienna. Many arti...

DANIEL SMITH Lavender is a beautiful periwinkle blue, and quite different from our other blues. This semi-transparent lavender blue has beautiful g...

Nickel Azo Yellow in mass tone resembles Yellow Ochre, and when thinned in washes, becomes a brillant, glowing yellow. This transparent yellow is p...

Imagine a rich and warm dark that can be textured with salt, squeegeed to reveal a warm residue stain and still have enough body to render glowing ...

If you want to add atmospheric or emotional punch to your work, then squeeze some transparent Perylene Green onto your palette. It exhibits an almo...

Officially discovered in 1905 and named for the Latin word purpura, meaning purple, Purpurite Genuine is an intensely lavender violet that paints s...

This unforgettable semi-transparent/semi-opaque orange is a smooth, saturated and pure addition to the watercolorist’s palette. Capture the glory o...

This slightly sedimentary, rich dark, red-brown could lighten, brighten and eliminate mud browns in all your paintings. Use with Quinacridone Coral...

A treat for the eyes of both painter and viewer, this intense Quinacridone colour is a clear red tinged with pink and orange. Highly durable and ex...

Everyone's favorite, Quinacridone Gold replaces Raw Sienna and adds versatility with its glazing and mixing capabilities. It is an excellent low-st...

Quinacridone Pink is a precise, perfect low-staining pink. Try with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples. Qui...

Quinacridone Purple is a rich, powerful and juicy purple with a slight reddish cast. It’s non-granulating, so washes are smooth and controlled and ...

The ultimate low-staining glazing pigment, finer than any Burnt Sienna. For the traditional and purist watercolour painter, Quinacridone Sienna div...

Amazingly compatible with earth pigments and Quinacridones alike, this is a warm mossy green. It is richer and warmer than the original brighter Gr...

DANIEL SMITH Rose Madder Permanent is a modern, lightfast formulation of the traditional colour giving artists a rose watercolour with similar prop...

Deserves a place on every palette. A gorgeous forest green that is almost black in mass tone, it has great transparency, makes smooth, clean washes...

A smooth grey-mauve in light washes, Shadow Violet displays a fascinating granulation when used more thickly. Deep warm violet in mass tone, it rev...

Tiger’s Eye Genuine is made from the brownish-gold stone with rippling bands of light that remind you of cat’s eyes. The gemstone, a member of the ...

Perfect for tropical seas and the deeper turquoise water off white sand beaches. The highly transparent, warm blue is positioned chromatically on t...

Manganese Blue Hue is a clear greenish azure blue colour. It is based on the now obsolete Manganese Blue made of Barium Manganate. Professional gra...

Alvaro’s Caliente Grey, “is a terrific hue, very powerful, excellent to create strong and warm paintings. In monochrome this wonderful Grey is perf...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

DANIEL SMITH Extra Fine Gouache is a professional artist-grade water media that produces an opaque matte finish. Made with the same high-quality pi...

WINSOR & NEWTON Professional Water Colour - 14mL - 074 Burnt Sienna (PR101). Burnt Sienna is a rich brown pigment made by burning Raw Sienna. N...

This azo pigment falls between Permanent Violet and Manganese Violet on the colour chart. It’s a lightfast, slightly granular deep brown-violet wit...