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These are the SAILOR dye based inks based on the four seasons. Heavily saturated colours, that shade and change as they dry. Flow well and will hel...

These are the SAILOR dye based inks based on the four seasons. Heavily saturated colours, that shade and change as they dry. Flow well and will hel...

These are the SAILOR dye based inks based on the four seasons. Heavily saturated colours, that shade and change as they dry. Flow well and will hel...

These are the SAILOR dye based inks based on the four seasons. Heavily saturated colours, that shade and change as they dry. Flow well and will hel...

These are the SAILOR dye based inks based on the four seasons. Heavily saturated colours, that shade and change as they dry. Flow well and will hel...

These are the SAILOR dye based inks based on the four seasons. Heavily saturated colours, that shade and change as they dry. Flow well and will hel...

Alizarin Crimson is the oldest synthetic deep red-crimson pigment. It is a lake pigment which when applied in strength and kept from the direct sun...

A beautiful earthy colour, DANIEL SMITH Burnt Sienna Light is redder than DANIEL SMITH Burnt Sienna, more transparent and slightly less granulating...

Forbidden by purists, Chinese White is much more than a repair patch. This semi-transparent, pure white offers excellent permanency and a medium-hi...

This natural green provides landscape artists rest in a summer painting saturated with vibrant greens. Opaque and low-staining, Chromium Green Oxid...

Duochrome Adobe shifts between saturated copper and a brilliant red metallic.

Duochrome Arctic Fire shows its colors best over black paper or darker watercolor; it shifts from reflective green to violet. Duochrome Watercolou...

Duochrome Blue Pearl shifts between a shimmering sky blue and a reflective cool silver.

Duochrome Desert Bronze shifts between an earthy terra cotta and a brilliant metallic jade. Duochrome Watercolours, part of the DANIEL SMITH Lumin...

Duochrome Hibiscus shifts between red violet and a shimmering iridescent blue violet.

Duochrome Lapis Sunlight shows its colours best over black paper or darker watercolour; it shifts from reflective green to blue.

Duochrome Mauve shifts between pale pinkish-purple and brilliant sparkling sapphire.

Duochrome Oceanic shifts between a subtle green gold and a brilliant metallic gold sparkle.

Duochrome Saguaro Green shifts between rich copper and brilliant metallic green-gold.

Duochrome Tropic Sunrise shows its colours best over black paper or darker watercolour; it shifts from reflective green to red.

Duochrome Turquoise shifts between a vibrant Caribbean blue and a sparkling sea green. Why Luminescent Watercolors? Nature has optical surprises in...

Duochrome Violet Fantasy shows its colours best over black paper or darker watercolour; it shifts from reflective violet to green.

Duochrome Violet Pearl shifts between shimmering soft lavender and reflective cool silver.

Rich color and opacity make English Red Earth a versatile pigment that offers a range of effects. At full strength this colour is similar to Burnt ...

A cool, earthy, neutral brown with a hint of green, German Greenish Raw Umber is a natural for landscapes of all kinds. Raw Umber with greenish tin...

Found in iron deposits nearly worldwide, Goethite (Brown Ochre) is named after Johann Wolfgang Goethe, the German philosopher, poet and mineralogis...

Exploration of this colour reveals some surprising pigment properties beyond its obvious opacity. First, Graphite Grey disperses well and quickly i...

Low to medium-staining, Hooker’s Green is a warm, natural green. Useful in formulating greens of all sorts, this Irish shamrock green combined with...

Artists choose Indian Red for architectural renderings, old brick and other subjects where a flat (matte) granular surface is desired. The opacity ...

Interference Blue is a transparent and glimmering cool blue when glazed over dark colours or painted directly onto black paper, and when painted on...

Interference Copper is a transparent and sparkling soft copper when glazed over dark colours or painted directly onto black paper, and when painted...

Interference Gold is a twinkling and transparent warm gold when glazed over dark colours or painted directly onto black paper, and when painted on ...

Interference Green is a glimmering and transparent emerald when glazed over dark colours or painted directly onto black paper, and when painted on ...

Interference Lilac glows with a transparent shine of violet when glazed over dark colours or painted directly onto black paper, and when painted on...

Interference Red sparkles with a light red shimmer when glazed over dark colours or painted directly onto black paper, and when painted on white pa...

Interference Silver shines with an icy veil of transparent silver when glazed over dark colors or painted directly onto black paper, and when paint...

Iridescent Antique Bronze is among the darkest luminescent colours with its’ warm metallic bronze sheen. Iridescent watercolours, part of the DANI...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Iridescent Antique Gold has a deep shine without the bright, brassy quality found in some metallic gold watercolours.

Iridescent Antique Silver is a pewter shade that is deeper in tone than other metallic silver watercolours. Iridescent watercolours, part of the D...

Iridescent Aztec Gold is a warm, reddish shade midway between traditional copper and gold hues. Iridescent watercolours, part of the DANIEL SMITH ...

Iridescent Blue Silver is a rich metallic steel tone. Iridescent watercolors, part of the DANIEL SMITH Luminescent Watercolours collection, reflect...

Iridescent Bronze is highly reflective with a warm bronze sheen. Iridescent watercolours, part of the DANIEL SMITH Luminescent Watercolours collec...

Iridescent Copper is the bright and reflective colour of a newly minted penny.