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A true, pure medium-staining red. Drop Naples Yellow into Quinacridone Red and create a peach, or paint dry brushstrokes onto apples. Highly durabl...

DANIEL SMITH Quinacridone Lilac lies between Quinacridone Rose and Quinacridone Magenta within the DANIEL SMITH Quinacridone colour family. This ne...

Everyone's favorite, Quinacridone Gold replaces Raw Sienna and adds versatility with its glazing and mixing capabilities. It is an excellent low-st...

Quinacridone Deep Gold is more orange than Quinacridone Gold, and more yellow than Quinacridone Burnt Orange. It’s an incredibly ruddy golden-orang...

A treat for the eyes of both painter and viewer, this intense Quinacridone colour is a clear red tinged with pink and orange. Highly durable and ex...

This fire engine red is cleaner than Cadmium or Permanent Red. It is a modern synthetic-organic pigment. While close in value to its cousins the Pe...

This unforgettable semi-transparent/semi-opaque orange is a smooth, saturated and pure addition to the watercolorist’s palette. Capture the glory o...

Phthalo Green Yellow Shade is a bottle green. In concentrated to diluted states, it is transparent and super-staining. Organic and absolutely light...

A powerful blue with a slightly red undertone, this popular pigment is valued for its strength and economy – just a daub of paint can color a whole...

A deep, luscious, grape-juicy reddish-violet. The mass tone is dark and intense, shifting in tints toward a rich red violet with a brownish-purple ...

Imagine a rich and warm dark that can be textured with salt, squeegeed to reveal a warm residue stain and still have enough body to render glowing ...

Pearlescent colours give white paper a pearl-like luster. Use Pearlescent Shimmer as a glaze for a snow-like glimmer or mix with other colours to a...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

DANIEL SMITH Payne's Blue Gray is similar to our bluer Indigo, but like the original DANIEL SMITH Payne's Gray, it is semi-transparent rather than ...

Nickel Azo Yellow in mass tone resembles Yellow Ochre, and when thinned in washes, becomes a brillant, glowing yellow. This transparent yellow is p...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

This cool turquoise blue is ideal for creating form or indicating space. It is a medium-staining, transparent pigment with wonderful granulating pr...

Natural Kingman Green Turquoise Genuine captures the magic and mystery of the ancient Southwest in a subtle greenish turquoise. It is mined near Ki...

Jane’s Grey is a unique color in the market. Most grays, whether Payne’s Grey, Neutral Tint or others, are made with a black pigment, and often pht...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

This sienna is a natural orange-brown earth pigment imported from Italy. Use this with the same method and purpose as plain Burnt Sienna. Many arti...

Iridescent Topaz is a pale yellow-gold with just the slightest hint of a green undertone. Iridescent watercolours, part of the DANIEL SMITH Lumine...

Iridescent Moonstone reflects in shades white and deep silver—a perfect choice for fish scales or moonlit water. Iridescent Moonstone shows up as a...

Iridescent Copper is the bright and reflective colour of a newly minted penny.

Artists choose Indian Red for architectural renderings, old brick and other subjects where a flat (matte) granular surface is desired. The opacity ...

Low to medium-staining, Hooker’s Green is a warm, natural green. Useful in formulating greens of all sorts, this Irish shamrock green combined with...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Made from pure Fuchsite, a mineral with mica-like characteristics, this colour creates a luminous pearly green shimmer. Soft, subtle with a pearly ...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Duochrome Emerald is the slightly reflective green of tender new shoots or buds in the Spring. Many living things have a slightly luminous quality ...

Duochrome Cactus Flower shifts between an earthy sienna and a sparkling metallic violet. Duochrome Watercolors, part of the DANIEL SMITH Luminesce...

Duochrome Cabo Blue adds a third reflective color shifting from blue to metallic gold, then finishing with a shimmering metallic blue. Duochrome W...

Duochrome Aquamarine shifts between a soft blue-green and a shimmering iridescent blue. Duochrome Watercolours, part of the DANIEL SMITH Luminesce...

Cobalt Violet Deep is a charming purple that brings texture to your painting with its granulating properties. Mix a wet wash and you will see beaut...

Cadmium Red Medium Hue – A true stop sign red, an essential colour for any palette. A safe, vibrant Cadmium Hue virtually identical in colour to t...

A beautiful earthy colour, DANIEL SMITH Burnt Sienna Light is redder than DANIEL SMITH Burnt Sienna, more transparent and slightly less granulating...

This opaque yellow, leaning slight towards green, appears opaque in mass tone, yet lifts cleanly. It is low staining, making it excellent in portra...

DANIEL SMITH Aussie Red Gold is the rich, golden colour of ochre cliffs set aflame at sunset. This brilliant, reddish gold will add glowing light t...

DANIEL SMITH has acquired a unique supply of the precious mineral Amazonite from Brazil. It’s a strong pure color that is completely transparent, n...

A cool midnight in mass tone and a cooling mist in washes, it mixes well with other colours, toning them down and adding a touch of coolness. Alvar...