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This familiar rich dark brown earth pigment is semi-transparent with medium tinting strength. An extremely permanent inorganic colour, it mixes wel...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

A clean, bright yellow. Because it’s low staining, you can paint with it full strength and pull the colour back to almost paper white.

The ultimate low-staining glazing pigment, finer than any Burnt Sienna. For the traditional and purist watercolour painter, Quinacridone Sienna div...

Quinacridone Purple is a rich, powerful and juicy purple with a slight reddish cast. It’s non-granulating, so washes are smooth and controlled and ...

Quinacridone Pink is a precise, perfect low-staining pink. Try with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples. Qui...

A brilliant, slightly violet, red. Quinacridone Fuchsia remains strong even when mixed with water. Your light washes will be bold and, at full stre...

This slightly sedimentary, rich dark, red-brown could lighten, brighten and eliminate mud browns in all your paintings. Use with Quinacridone Coral...

Officially discovered in 1905 and named for the Latin word purpura, meaning purple, Purpurite Genuine is an intensely lavender violet that paints s...

A dark, slightly turquoise blue-green, this innovative colour is deep and concentrated, making it an ideal choice when maximum colour strength is r...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

A dramatic rusty red/orange – the charismatic colour of autumn’s falling leaves. Made from earth that has been heated to attain a burnt colour, thi...

Ground from a scarlet-streaked mineral from the hills of Italy, Piemontite Genuine is a rich, versatile PrimaTek watercolor. A deep ruddy violet is...

A bright, beautiful lime green with power and tinting strength characteristic of all phthalo pigments. Made from Phthalocyanine Green (yellow shade...

This DANIEL SMITH exclusive is a favourite of artists. It moves from a deep dark turquoise to a thin film of robin’s egg blue in a single wash, mak...

Phthalo Green (Blue Shade) is a black-green. Concentrated to diluted states, it is a transparent and super staining green. Organic and absolutely l...

Perylene Scarlet is medium staining and semi-transparent. It creates vivid, dark washes with a clean, vivid orange hue. This sedimentary pigment of...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

If you want to add atmospheric or emotional punch to your work, then squeeze some transparent Perylene Green onto your palette. It exhibits an almo...

Mixing beautifully with other colours, Permanent Yellow Deep yields a bright tangerine hue when used at full-strength and light washes are a soft p...

The soft handling ability or even dispersion of this lightfast, semi-transparent pigment helps make this a fine pre-mixed violet. The rich, medium ...

A stop sign red, this red diffuses well with water – a treat when painting wet into wet or damp passages. The fussy edges this technique produces b...

Saturated and leaning toward yellow, Permanent Orange resembles Cadmium Orange and is lightfast, transparent and low staining. Permanent Orange wit...

This organic pigment, with high-staining properties, yields a very clean, vibrant mixture. The Phthalo Green Blue Shade and Hansa Yellow Light used...

Permanent Green, an organic, transparent pigment with high-staining properties yields very clean, vibrant mixtures. The Phthalo Green Blue Shade an...

A deep, rich red, this lightfast pigment diffuses well with water, a treat when painting wet into wet or damp passages. The fuzzy edges this techni...

Permanent Alizarin Crimson, developed with our customers, blends pigments to produce an exceptionally lightfast red with true Alizarin Crimson char...

Perinone Orange, with its vast range from vivid intensity to pale, transparent, fleshy washes, is a clear, clean vat pigment. From carrots to soft ...

When mixed with any other colour, Neutral Tint produces glowing darker values of that colour. This neutral grey – neither warm nor cool – quickly a...

This azo pigment falls between Permanent Violet and Manganese Violet on the colour chart. It’s a lightfast, slightly granular deep brown-violet wit...

A warm cinnamon color that granulates to resemble rusted iron, DANIEL SMITH Mummy Bauxite combines powerful colour with visual texture. Mummy was a...

A warm, soft, earthy pink, Minnesota Pipestone is semi-transparent to semi-opaque, and granulates beautifully in washes. It is as permanent as the ...

A saturated yellow with a rich history, you’ll love its transparency and smooth working properties. A natural looking yellow with a very slight gre...

joy a saturated fuchsia with a rich tone and velvet finish. This stunning watercolour revives the bold colour used by the ancient Mayan people to a...

Mayan Orange is hot and intense. Use it straight from the tube for a blazing red-orange. As you add water, the colour remains strong and disperses ...

Mayan Dark Blue is darker and warmer than Mayan Blue Genuine. Mix it with Mayan Orange to make a fantastic array of subtle greys and violets for co...

DANIEL SMITH makes beautiful watercolours, many with granulation, to help you mimic the textures of the outdoor world. These are the 15mL tubes whi...

Watch how this fascinating watercolor with its broad range of texture, color and value falls into unique forms across your paper. This paint create...

A transparent, non-staining pigment that resembles Burnt Sienna in colour but separates dramatically. Lightfast and extremely versatile, Lunar Eart...

Lemon Yellow, a brilliant primary yellow, is the perfect pigment for mixing a range of hues when a clean yellow is necessary. This saturated, brigh...

Lapis Lazuli has been prized for its beauty, its mystical properties, and its perfection as a pigment. Ancient civilizations believed that the vein...